The Cultural Aesthetic of Mysore: An Exploration of Royal Patronage

Abstract

This paper attempts to explore the cultural aesthetic of Mysore through the lens of royal patronage . The city flourished as a hub of art, poetry, and music under the patronage of the Wodeyars. Known as the City of Palaces, Mysore is home to a rich tapestry of museums, art galleries, and cultural celebrations, notably the world-renowned Dasara festival. Playing a pivotal role in shaping the cultural richness of Mysore, the steadfast support and encouragement of the Wodeyars across various fields fostered the development of a unique aesthetic known as the ‘Mysore Style,’ evident in painting, architecture, music and  poetry. Mysore painting, flourished under Mummadi Krishnaraja Wodeyar. Murals from his reign adorn temples, known for their vibrant reds and greens. The royal family supported temple construction ,embellishments, sculpture, and performing arts. Mysore was a centre for Carnatic music, the royal family themselves being  accomplished musicians. Bharatanatyam, which faced decline during colonial rule, was revived under royal patronage. Performances in temples and at the palace were integral to court culture. Maharaja Krishnaraja Wodeyar IV was instrumental in establishing institutions like the Chamarajendra Academy of Visual Arts and Mysore University . Mysore art and crafts gained global recognition through world exhibitions, often sponsored by the royal family, which helped preserve and promote local traditions. The royal court’s efforts ensured the survival and growth of Mysore's rich cultural heritage while adapting to modern influences, making the region a vibrant centre of artistic and intellectual activity. Employing archival materials ,this study attempts to trace the crafting of an enduring aesthetic identity by the Wodeyars who incorporated indigenous traditions with modern influences.